I have been a musician all my life.
After being invited to compose and direct the music for a new play in 2015, I moved towards creative sound and music, focusing in particular on animation and audio productions.
I then completed a master’s degree in Music and Sound for Film and Games.
I am a proud member of Inscape Animations, a group of three women who use drawn animation with immersive sound and music to address global issues such as war, migration and climate change. We aim to explore complex ideas and challenge xenophobic narratives.
I work part-time as a composer, sound designer and audio editor for leading audio fiction company Rusty Quill.
Trice Forgotten, an ‘ode to nineteenth-century gender non-conforming scientists of colour’ by Rusty Quill/Nemo Martin. (Sound Designer, Music Editor, Additional Music)
Shattered, a ‘story in sound’ about early recording technology and… a mystery… by Lesser of Two Weevils. (Composer)
Apollyon, by Observer Pictures, is a science fiction series. (Composer, Music Supervisor)
New Player Challenges, an ongoing video series by Rusty Quill. (Theme composer)
The Transposition of Chloe Bronte, a twelve-episode lo-fi sci-fi (sorta) rom-com audio drama by William Meyer. (Composer)
Delivery of an Alarm Clock, for Dashingly Quirky. (Composer)
Catharsis, a short-form audio drama about grief, by Dayton Writers Movement (Composer)
Roots, by Inscape Animations, funded by Network for Social Change, the UK Quakers and private donations, explores human migration in the context of our shared history, for educational and advocacy purposes (Composer, Sound Designer)
Customs, Highway Chile, Reminisce With Me, Fidget, Breathless and Wolpertingers, for 11th Hour Audio Productions, 2019, 2020 and 2021 (Composer)